Expression, emancipation, empowerment: Serendipity Arts Festival highlights pressing social concerns
Launched in 2014, PhotoSparks is a weekly feature from YourStory, with photographs that celebrate the spirit of creativity and innovation. In the earlier 415 posts, we featured an art festival, cartoon gallery. world music festival, telecom expo, millets fair, climate change expo, wildlife conference, startup festival, Diwali rangoli, and jazz festival.
The fourth edition of the Serendipity Arts Festival (SAF), spread across 14 venues, brings eight days of creativity to Panaji, Goa. See our earlier interview with Smriti Rajgarhia, Director, Serendipity Arts Foundation; curator insights, and photo essays on the festival launch and innovation exhibits.
In this photo essay, we feature more exhibits and panel highlights at the Goa Institute of Management, Old Goa Medical College, PWD Complex, and Adil Shah Palace. The curator and artist lineup includes Sudarshan Shetty, Rahaab Allana, Nancy Adajania, Lina Vincent, Ravi Agarwal, and Amruta Patil.
The exhibitions reflect the anguish of colonial conflict, industrial accidents like the Union Carbide gas leak in Bhopal, urban and oceanic pollution, social prejudice, marginalised communities, suppression of free speech, lack of opportunity for the disabled, and the trauma of terrorist attacks.
“We have inherited one of the world’s richest cultural legacies,” said Sunil Kant Munjal, Chairman of Hero Enterprises; he is also Founder and Chief Patron of the Serendipity Arts Trust. Kicking off the first of a range of panel discussions and talks, he said it was up to us to decide what to pass on to the rest of the world and to future generations.
The sessions began with a powerful set of readings from the book Khoooni Vaisakhi. It is based on a poem about the horrific Jallianwalla Bagh Massacre of 1919, written by Nanak Singh. It was translated into English by his grandson Navdeep Suri, a former diplomat.
Navdeep read out some verses in English, with stirring vocal renditions in Punjabi by singer-songwriter Harpreet Singh. The event was a pivotal moment in India’s freedom struggle, and robbed the British of any legitimacy or moral right of their colonial rule, Navdeep explained.
Reflecting on past and recent turbulences in India, curator Rahaab Allana emphasised the need to remember but overcome the arc of history. Polarisation needs to be overcome, and collaboration and harmony should be promoted instead. “One thing we humans cherish about ourselves is our imagination,” he affirmed.
Curiosity, creativity, compassion, and collaboration are needed to fully fathom and embrace India’s innovative spirit, explained Dr Anil Gupta, author of Grassroots Innovation: Minds on the Margin are not Marginal Minds (see our book review here).
“Shared spaces are also cared spaces,” he added, endorsing the multi-disciplinary approach of the Serendipity Arts Festival. He also urged moving away from frameworks like Maslow’s hierarchy of needs, and cited a number of examples of artistic creativity among the poor. They may be poor in resources but are not poor in mind and aesthetics.
“Technology is like words, institutions are like grammar, and culture is like the thesaurus,” Anil evocatively described. He called on the creative community to embrace responsibility and reciprocity to all segments of society.
“My exhibition is constructed like a symposium – a relay of artistic positions and art-historical debates,” explains Nancy Adajania, curator of the exhibition Counter-Canon, Counter-Culture: Alternative Histories in Indian Art.
“I have always asked questions of Indian art history that remain hidden in the margins or are forced to become footnotes to the main narrative because of class, caste or gender prejudice. My journey will always be paved with questions and arguments,” she adds, in a chat with YourStory.
“We are currently at a complex point in time, when the idea of archives and their preservation have become of paramount importance,” says Lina Vincent, curator of the Goa Familia project.
“We are constantly made aware of the overwhelming incidence of migration, dislocation and loss of roots. This has overpowered entire communities and is changing the way living generations look toward the future,” she says. The fragility of paper-based documents and photos makes us contend with the impermanence of memories themselves.
Now, what have you done today to pause in your busy schedule and do your bit for social change and justice?
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