Heritage and diversity: Gallery G’s exhibition ‘Mosaic of Modernity’ showcases Indian artistic talent
In our two-part photo essay from Bengaluru’s Gallery G, we present artistic highlights and curator insights from the ongoing exhibition.
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This month, Gallery G at Lavelle Road in Bengaluru is hosting the exhibition titled Mosaic of Modernity: Exploring Diversity in Art. The group show features the works of eight artists from across India, each bringing their distinct genre and medium to the gallery.
The artists are Jai Khanna, Dinesh Magar, Aarohi Singh, Damodar Aware, Tushar Shinde, Runa Biswas, Annamicka Kuchhan, and Tridib Bera. As shown in this photo essay, the artworks span Indian motifs, landscapes, religion, and urban life via paintings and installations.
“The vision behind the exhibition was to capture the essence of contemporary Indian life through the lens of diverse artistic expressions. We aimed to showcase how modernity is interpreted and integrated into the cultural fabric of India, creating a vibrant mosaic of ideas, emotions, and narratives,” Archana Shenoy, Director of Curatorial Practices, Gallery G, tells YourStory.
Gitanjali Maini, an art management entrepreneur, is the Founder and Managing Director of Gallery G. Its recent exhibitions include Mystical Strokes, Floral Symphony, The Kingdom of Tigers, The Primacy of Five, and Motherhood (see our earlier coverage of exhibitions from 2017 onwards here).
Shenoy is pleased with the audience feedback for the current exhibition, which she describes as “overwhelmingly positive.” Visitors expressed a deep connection to the themes and stories portrayed.
“Many have commented on how the exhibition has broadened their understanding of contemporary Indian art and its various interpretations of modernity,” Shenoy adds.
As trends in Indian art today, she points to the increasing blending of traditional art forms with contemporary techniques and themes. “Artists are increasingly experimenting with mixed media, digital art, and installation pieces to create immersive experiences,” she observes.
“There's also a growing focus on social and political issues, with art serving as a medium for activism and change. The true potential of India’s art scene lies in its rich cultural heritage and the innovative spirit of its artists,” Shenoy explains.
Over the past two decades, Gallery G has evolved into a vibrant and inclusive space which showcases new as well as established artists. The location is quite convenient and accessible as well, just off the bustling MG Road.
Its services include customised art and design consultancy, as well as art sourcing for offices, retail venues and residences. Examples of such curation are visible at Embassy Boulevard’s Clubhouse Four Seasons Hotel, Infosys, Virya Mobility, and Capstone Life Flowing Tree.
With greater exposure and support, Indian art can continue to make significant contributions to the global art community, Shenoy affirms.
Describing the creative process of curation, Shenoy says extensive research, artist collaboration, and detailed planning are required. “It starts with a conceptual framework, followed by identifying and selecting artists and artworks that align with the theme,” she says.
“The process includes creation of a cohesive narrative and designing the exhibition space to enhance the viewer's experience,” she adds. The gallery’s next big project will be its showcase at Art Mumbai in November 2024.
Shenoy also offers tips for aspiring artists. “Stay true to your vision and continually push the boundaries of your creativity. Persistence and resilience are key—don't be discouraged by setbacks or rejection,” she advises.
“Seek opportunities for learning and growth, and be open to feedback. Building a network within the art community can provide support and open doors to new opportunities,” she adds.
“Most importantly, create art that is authentic and reflects your unique perspective and voice,” Shenoy signs off.
Now what have you done today to pause in your busy schedule and harness your creative side for a better world?
(All photographs were taken by Madanmohan Rao on location at the gallery.)
Edited by Suman Singh
