The purpose of repurpose: how this artist creates installations from shoes, gloves and golf bags
Launched in 2014, PhotoSparks is a weekly feature from YourStory, with photographs that celebrate the spirit of creativity and innovation. In the earlier 365 posts, we featured an art festival, cartoon gallery. world music festival, telecom expo, millets fair, climate change expo, wildlife conference, startup festival, Diwali rangoli, and jazz festival.
The Art Gallery of Ontario (AGO) has a dazzling collection of artworks spread across five expansive levels. It is one of the largest art museums in North America, located in Toronto, Canada’s largest city.
The Canadian artworks at AGO, some of which are showcased in this photo essay, feature Paul Kane, Lawren Harris, Robert Clow Todd, Robert Duncanson, Tom Thomson, Mary Wrinch, Henry Moore, Alexander Archipenko, Cornelius Krieghoff, David Brown Milne, A.Y. Jackson, Alfred Joseph Casson, Frederick Arthur Verner, and Arthur Lismer.
One of the sections of the gallery is titled Brian Jungen Friendship Centre. It is an in-depth exploration of this acclaimed artist’s approach to a sculpture made from repurposed consumer goods, and is the largest exhibition of his work to date.
Based in British Columbia, Brian Jungen is an artist of mixed European and indigenous heritage, blending indigenous materials with Western pop culture. His creations have also been showcased at the Smithsonian Museum, where the Smithsonian Magazine lauded the way he bridges indigenous and mass cultures.
Over 80 works of “found object art” appear in the form of ceremonial headdresses, totem poles and masks. They are made from sneakers, gloves, bats and golf bags.
For example, the Warrior sculpture series, made from Air Jordan sneakers, presents variations on Indigenous headdresses. The series titled Prototype for New Understanding is made from Nike sneakers sewn together to resemble masks created by indigenous Northwest Coast peoples.
Brian has also put together a stunning 40-foot long sculpture of a whale skeleton, titled Cetology, as shown at the end of this photo essay (see also Part I, Part II and Part III of our coverage). The installation is made from plastic patio chairs, and is suspended from the ceiling as in a natural history museum.
Brian’s earlier exhibition was titled Tomorrow, Repeated. The sculptural shape-shifting includes animal hides stretched and mounted over cut-up car parts, police barricades built from cedar and Douglas fir, and prints made from hide leftover after the artist cut out circular shapes for drum skins.
Brian’s other works include Tombstone, a sculpture resembling a giant turtle supported by a base of filing cabinets. Another installation is called Furniture Sculpture, a monumental tipi (tent, or teepee) created from 11 leather sofas.
In sum, the range of Brian’s works raises deep questions about consumerism, commodification, identity politics, museology, globalisation, iconography, and cultural stereotyping.
Now, what have you done today to pause in your busy schedule, look at your surroundings in a new light, and reshape your environment?
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